SKU: 74411408144
acoustic guitar effects pedal

acoustic guitar effects pedal Animals Pedal Firewood Acoustic D.I. MKII

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Description

acoustic guitar effects pedal Animals Pedal Firewood Acoustic D.I. MKIIThe tone of the acoustic guitar sometimes gives comfort and sometimes brings intense emotions. The vibe of being unplugged has always been part of rock music, and the loudest band from the Seattle grunge days made the unplugged sound legendary on MTV. Not only for classical style music, the acoustic guitar is also for rock and blues guitarists, especially with alternative and folk styles. For rock guitarists, having acoustic chops and sounds are a


The tone of the acoustic guitar sometimes gives comfort and sometimes brings intense emotions. The vibe of being “unplugged” has always been part of rock music, and the loudest band from the Seattle grunge days made the unplugged sound legendary on MTV. Not only for classical style music, the acoustic guitar is also for rock and blues guitarists, especially with alternative and folk styles. For rock guitarists, having acoustic chops and sounds are a must.


Animals Pedal brings it forward with an all-in-one solution called the Firewood Acoustic D.I. MK II – an active DI pedal for both acoustic and electric guitars that can be the hub of your pedal rig onstage and for recordings/practice sessions. Manufactured with discrete analog circuits to keep your organic tone and delicate tonal expressions, the FADI can output your sound faithfully to both mixers and amplifiers. Simple and compact, we put in an expertly voiced three band equalizer that can be adjusted to help your sound mix with the music easily. You can turn the EQ on and off with the footswitch. The FADI has a warm and balanced tone that will complement guitars like nylon string acoustic/electrics, and can add shimmering high end ethereal tones that sound great with vocals and full band gigs. The three bands are centered on important acoustic guitar frequency bands, with a boost/cut of +/- 15db at 3.5khz, 800hz, and 180hz for HIGH MID and LOW controls. These bands are effective not only to enhance the tone but can be used to control low and low-mid feedback by cutting those frequencies onstage or for recording.


The GAIN control is active when BOOST ON, and can add light saturation to the tone, giving you more power, crisp edges, and authoritative presence to your acoustic guitar sound in the mix. Around the left side of the FADI is an effects loop, where you can put other effects like chorus and delay at the same time when using an acoustic guitar or as a boost pedal. The balanced output XLR can easily send your signal to the mixer directly with a great signal for the sound engineer. You can power the Firewood Acoustic DI directly from 48v phantom power if you wish, which can be helpful on small or outdoor stages where there might be a shortage of outlets. If you power the FADI with an adapter, it is equipped with a DC OUT jack so you can daisy-chain power your other pedals easily.


Our Firewood is not just a functionally superior pedal. The sound of the high-headroom discrete analog circuitry creates an authentic and organic acoustic guitar sound. You can also dare to crank up the gain for a more edgy and rocky “electric/acoustic” style sound without unwanted harmonics and sounds. The FADI will always deliver warm and deep acoustic guitar tones in every detail. Even on the live stage, the Firewood can deliver a tone close to the sound of an acoustic being recorded with a microphone in the studio. Get your acoustic game together with Animals Pedal Firewood Acoustic D.I. MK II.


●Controls
LEVEL: Adjusts the overall volume.
LOW: Adjusts the low frequencies in the range of ±15dB, centering on 180Hz.
MID: Adjusts the middle range in the range of ±15dB, centering on 800Hz.
HIGH: Adjusts the high frequencies in the range of ±15dB, centering on 3.5kHz.
GAIN: Adjusts the output level and control the saturation of the whole tone when Boost is ON. It can also be distorted lightly.
INVERT: Inverts the phase.
Footswitch: Bypasses the EQ.

●Input/Output Jacks:
DC 9V IN: Connects to the standard center minus DC9V adapter.
DC 9V OUT: When powered by an external adapter, it supplies power externally.
IN: Input. Connect the cable on the instrument side.
LOOP: EFFECT LOOP. FROM S (SEND) TO THE INPUT OF THE EFFECT IN THE LOOP, R (RETURN) CONNECTS THE CABLE FROM THE OUTPUT OF THE EFFECT IN THE LOOP. The effect loop is always active.
UNBAL: Unbalanced out. Connects to the guitar amplifier or ¼” mixer input.
BAL/48V: Balanced out of XLR terminals. It's used to connect to a mixer. Also, when using phantom power supply, it is supplied from here. When being powered by the 48v phantom power supply, the Phantom LED lights up.

●Specifications
Current consumption: 5mA
Input impedance: 500K
Maximum output level: 4dBV at 1Khz
Output impedance (unbalanced): 10K
Output impedance (balanced): 100 ohm
EFFECT LOOP IMPEDANCE (SEND): 10K
EFFECT LOOP IMPEDANCE (RETURN): 100K
S/N ratio: -100dBv
Size: 100 W x 122 D x 57 H mm (including projections)
Weight: 400g

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Exchange/Return Notes
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SKU: 74411408144

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4.3 ★★★★★
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C
Verified Purchase
C. T. Dixon
Waukegan, US
★★★★★ 5
This is a Superman I can believe in
Format: Paperback
This is the original Superman, the one who made the character a hit. His powers have limits - a fire threatens his life! - and he uses them for the little guy, against social injustice. One of the best stories, from Action #5, has Supes fighting a breaking dam and flood, but mostly he's fighting human crookedness - crooked lobbyists, crooked football coaches, crooked mine owners, crooked taxi rackets. This Superman is a law unto himself, dependent on nothing but his strength and his personal sense of right. He's a lot more like Samson in that way than he's a Christ figure, and the result is stories in which he lightheartedly smashes slums so the government will have to build decent housing for the poor, smashes cars of reckless drivers, smashes an oil well to bankrupt the crooked promoters. Private property means nothing to him. Neither do legal rights. He's not here to fight for law and order, he's here to fight for justice as he sees it. The police? the government? They're feckless at best, and more often they're part of the problem. There's a strong Progressive sensibility here: if institutions don't benefit the people, the people need to take charge and change things. That's the Superman we see here, and it's the Superman I like best - the original Superman with brute vigor, a passion for justice with no subtlety, and no taking himself too seriously. It's not art, but it's what made comic books. And it still stands up.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 16, 2014
K
Verified Purchase
Kid Kyoto
West Palm Beach, US
★★★★★ 5
Where it all began
Format: Paperback
Superman was a hit almost from day one, selling not only millions of comics but quickly went on to star in radio shows, movie serials, TV shows, cartoons, movies and every other media under the sun. And it all starts here. This volume reprints the very first Superman stories from 1938 - the Superman chapters from Action Comics 1-13, the New York World's Fair special and Superman #1, some of the rarest and most valuable comic books ever published. The art is crude but serviceable, but the stories are surprisingly political. Rather than fighting super villains or aliens Superman spends more of his time taking on corrupt businessmen and politicians. In one early story he ends a war in Europe by kidnapping an arms maker and forcing him to fight in the trenches. After his experience he swears never to make weapons again. This is a Superman who takes on the real issues of his time, and while the solutions are simplistic his goals are a lot more impressive than stopping bank robbers or killer robots. An early super villain, the Ultra Humanite, puts in a appearance but even his plot is centered around labor unrest rather than death rays. This is a fascinating look into the history of American comics. politics and popular culture. I recommend it to anyone with an interest in those subjects.
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Reviewed in the United States on June 26, 2011
A
Verified Purchase
Adam Graham
Waukegan, US
★★★★★ 4
The Menacing Man of Steel
Format: Paperback
This story tracks Superman's first fifteen stories beginning with Action Comic #1 through Action Comics #13 and also includes the New York World's Fair Comics #1 story and a few pages that Superman #1 added to its reprints of the stories in Action Comics #1-#4. These fourteen stories features Superman as defender of the weak against a variety of foes including munitions dealers who Jerry Siegel charged with starting wars to line their own pockets, heartless mine owners, gangsters, and slum lords. Superman's tactics were far rougher than they would become as Superman became a little more mild during the 1940s. Superman,like Batman struck fear in the hearts of criminals. Though Batman needed a cool name and a scary costume, all Superman needed to was to keep dropping and catching suspects until they talked. Superman's rough edge would begin to get out of line. In Action Comics #8, he decided to solve the problem of slums by tearing them down forcing the government to rebuild as they had during recent hurricanes. The police responded by putting a warrant out for him for understandable reasons. From here, Siegel made Superman even more forceful culminating in Action Comics #11 which sees the Man of Steel declare war on "Reckless Drivers." Declaring war involves forcibly seizing control of a radio station to broadcast a warning and then destroying all the automobiles in the police impound lot, among other very destructive acts. The stories serve as an almost cautionary tale of the danger of someone with unstoppable and no humility. It reflects the brashness of a 23-24 year old writer. Thankfully Superman would grow in the 1940s into a character that inspired by hope than by fear. However, despite the more menacing Superman in this book, there are some fun stories in here. My Absolute favorite is Action Comics #6 which features an agent pretending to represent Superman and selling merchandising rights for the Man of Steel, which turned out to be prophetic of the merchandising machine Superman would become. Action Comics #7 features another story of Superman helping out somebody whose just in trouble and needs help. Action Comics #13 introduces the Ultra-Humanite, the first real supervillain, though we only get to meet him briefly. Overall, this is great for adult Superman collectors who want to read all of his stories. For kids, I'd probably recommend Superman in the Forties for a more balanced look at the Man of Steel.
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Reviewed in the United States on October 26, 2013
J
Verified Purchase
jccastrol
Boise, US
★★★★★ 5
Remember old times.
Format: Paperback
Old one but in good condition my son really liked.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 11, 2026
J
Verified Purchase
Jacob
Draper, US
★★★★★ 5
Great Historical, Nostalgic Read
Format: Paperback
If you're looking for an anthology of early Superman stories, this book will meet all your needs. It has full-color pictures, entire stories, and cover pages (even when Superman wasn't featured on the cover). If you're in the market for a historical, nostalgic, read: this is a good book. If you're in the market for great Superman stories, you might want to look elsewhere: these early, experimental tales are exciting, but the best of the character is yet to come. As is noted on the back, this rough-and-tough defender of the oppressed isn't the 'boy scout' Superman most of us know and love.
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Reviewed in the United States on August 10, 2015

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